Posted on November 24, 2008 by
Sharon K. Gilbert
By Sue Bradley
November 24, 2008
EUROPE HAS ALWAYS BEEN an ornament
of the world and a blend of rich ethnicity, religions, styles and cultures. The
land however is also fortified by centuries of blood spilled during ancient
battles and feudal clashes. The gods and goddesses of Celtic, Gaul and Frankish
myths are not entirely dissimilar from their relatives from distant times and
lands, and the records of brutal bloodlust describe a proportional increase in
numbers, albeit via increased sophistication of weaponry, contrary to
“evolutionary” social progress.
The explanation of course, lies in the acknowledgement of two factors:
1) An existing ‘indwelling’ of hostile presences and
2) A fallen and susceptible humanity, coexisting with the latter unaware in
great part, of the dominion and resolve of the former.
The ancient landlords have never
discontinued their debauchery. They accept their burnt sacrifices from a new
congregation of initiates, commanding and demanding worship and ritual,
cleverly insinuating their thirst while fully assimilated in contemporary garb;
dressed to the nines, as it were.
In Green Man: The Archetype of our
Oneness with the Earth, William Anderson asserts that “The Green Man” may have
been the inspiration for the enthusiasm of medieval artisans. In fact, J.K. Rowling
describes her Harry Potter character, Hagrid,
as the “modern version of the Green Man, being one of the foundational
cast” :
“He was sort of his guardian and his
guide … And now I wanted Hagrid to be the one to lead Harry out of the
forest.”He was also one of the first characters to imply that the idea of
thinking of wizards as “pure-bloods” and “Half-bloods”is a dated concept.”
William Anderson expands the
Hagrid/Green Man archetype:
“…There are legends of him (Khidr)
in which, like Osiris, he is dismembered and reborn; and prophecies
connecting him, like the Green Man, with the end of time. His name means the
Green One or Verdant One, he is the voice of inspiration to the
aspirant and committed artist. He can come as a white light or the gleam on
a blade of grass, but more often as an inner mood. The sign of his presence is
the ability to work or experience with tireless enthusiasm beyond one’s normal
capacities. In this there may be a link across cultures…”
With a duality of personality as
well as intent, the therianthropic Green Man is most often conceptualized in
ancient cave art, described by Lewis-Williams as “depictions of what our
ancestors witnessed in their visions: enigmatic lines, strange patterns,
followed by animals.” Believing them to
be portals to other dimensions, ancient shamans would adorn the cave walls
with totemic depictions to ensure the favor of the inhabitants of the “Otherworld”
wherein lay the deepest riches of reality.
In Celtic tradition this Green Man
deity is worshiped as “lord of wild things.” He is memorialized in
archaeological record as wearing stag antlers or horns and sometimes wearing a
torque while holding serpents. Worshipped primarily in Britain and France and
Germany, there are traces of this cult as far east as Russia and as far west as
Ireland. Many who follow the pattern of ancient myth have determined that the
Lord of the Hunt is most likely the source for the horned god that appears in Christian medieval manuscripts and is a
symbol of the Antichrist himself.
It would be more accurately stated
that the gods that could not be ’banished’ were subsequently recruited. Under
the banner of Christianity, ambitious European ‘conquistadors’ repeatedly
ransacked Europe whether by sword, plague, fire or religion. Old ritual sites
were embellished with Biblical themes, although many of the ancient demons bore
striking resemblance to regional entities, and celebratory feasts adjusted to
accommodate and ‘ease’ the transition. But underneath
these sites, the embers of the ancient ones and the Lord of the Hunt, patiently
smoldered, knowing they’d merely adopted a new mask.
Again, a consistency of ritual
practice seems to have prevailed in many areas of Europe’s ‘sacred places.’ The
areas of the Sudeten Mountains, Externsteine (picture to the left), the
Teutoburg Forest, and the caves and grottoes of Lascaux, Normandy and the
Mountains of the Pyranees and Jura. have all yielded significant evidence of
ancient human ritual and crematory sacrifice: ashes, altars and unusual but
consistent burial practices, particularly along the geodetic holy lines and the
“high places” specifically forbidden
by God.
The increased level of geologic
activity is revealing ancient structures on land masses and under the sea.
Covered by millennia of growth and formerly believed to be mountains, both
natural and man are exposing not only evidence of structures of enormous size,
high technical ability, and global commerce, but inhabitants of massive size, with obviously corresponding ability
and skill.
The concept of multiple global
cataclysms, most recently the planetary flood of Genesis 7, is recorded Biblically to have destroyed all
that was “on the face of the ground,” but little is said about the enormous
world beneath the surface. Four books of the canonical text describe life,
“under the earth,” as being subject to judgment. Why is it then that we have
such difficulty accepting an underworld, and an abyss?
More disturbing however, is the volume of evidence presented
by the examination of caves and caverns of the world. These incredible labyrinths meander beneath land and ocean
yet their construction, like many ancient structures, cannot be duplicated
today. Even more troubling is the
incredible heights of many of the cave systems. Caverns are by nature
expansive, but why would it be necessary to construct caves of such height, nine
or even 15 feet – far greater than the height of contemporary man?
Folklore, nursery rhymes and legends
will allow our minds to picture what, “man in his heart” desires, but in Ezekiel we learn of “terror in the land
of the living,” and also the Divine mercy
with which we have been sheltered: “I
shall bring thee down with them that descend into the pit, with the people of
old time, and shall set thee in the low parts of the earth, in places desolate
of old, with them that go down to the pit, that thou not be inhabited; and I
shall set glory in the land of the living.” Ez. 26, 32
William Henry Black recognized the
patterns of “holy lines,” affirming that “[monuments exist marking grand geometrical lines which cover the
whole of Western Europe.” This “whole” includes the ancient land of Albion
(ancient name for the island of Great Britain), where the megaliths, circles,
mounds and drawings of Glastonbury, Avebury, Wiltshire, Oxfordshire and
Wilmington have all, within the past ten years, yielded speculation of a strong
practice of ritualistic incineraton in addition to their commonly assigned
astronomical alignments.
Warning of the dangerous and seductive beauty of evil, Russ Dizdar comments:
“Why do you think God destroyed these places and these
centers of demonic activity were judged? Why do you think God buried this
horror? Was it only for the ancient practitioners? They could have just died
and been buried….but their “high places,” their ziggurats, were cast down and
covered. The New Agers, 2012’ers and questers are seeking to uncover these
constructs: what will they find?”
If indeed this God of the Hunt,
the Green Man, carried such a demanding presence and widespread
prominence, why have we heard so little of him? Perhaps we have been too
limited in the cultural examination of the ancient pantheon. There is
widespread familiarity with the gods of Egypt and Sumer, ancient India,
Meso-America. Yet we know little of the very entities, who are not only
disturbingly real, but are actively insinuating themselves into Western thought
via skillful, pernicious, and well-organized increments. We have just not
recognized their ancient citations.
THE CULT OF CERNUNNOS
Master of the Sacrificial Hunt and Guardian of the Gateway of the Underworld, and
Keeper of the Gates of Death, Cernunnos commands sacrificial purification
as ruler of all nature and the four elements of force, earth, air, fire and
water, as well as the four cardinal points of the compass while representing
the darker aspects of nature. In a number of descriptions, Cernunnos is
described as being older than the ‘Ancient Ones,’ so much so that our
“evolutionary ancestors” perceived him as a ‘shape-shifting god of the hunt.’ ”
Bestowing plenty upon the good
stewards of the earth, Cernunnos is also the “All Devourer,” and responsible
for the judgment of those who threaten his domain. Referenced by William
Shakespeare as Herne the Hunter, Cernunnos and Herne seem to be an
interchangeable “Being or Power” that existed
before time and before the other gods, as their creation was a product of
his virility and the fertility of the planet. The deified consort of Cernunnos
is the Green Lady, the Goddess of Nature.
Frequently depicted with club in
hand, Cernunnos led the wild hunt and, as the primary fertility deity, often
was graphically depicted as the primeval male progenitor and rejuvenator,
“lusty, satyr god.” “Limitless and everlasting, the life-force of Cernunnos is
present in the “billions and billions of infinite smallness,” which “courses
through the sub-atomic, constituting the chaotic “Dance of Life and Death,: the
“Dance of Making and Unmaking,” the “Dance of Creation and Destruction.”
With this insight, a review of
various historic events, both recent and ancient, associated within the
province of the entity, Cernunnos/Herne becomes worthwhile.
For years the Chernobyl nuclear disaster has been linked
with the star, “Wormwood,” and in
part with some justification: Chernobyl is apparently comprised of chormyi (black)
and byllia (blades), a possible linguistic tracing to a wild wormwood,
mugwort associated with the “Green Fairy” drink of Absinthe, popularized by
occultist Alistair Crowley. This appears to be a reasonable explanation of the
popular application.
But a glimpse deeper into the
history and mythology of Eastern Europe provides yet another intriguing
association. The
Romans had linked the horned-god Herme to Cernunnos and the Green Man. In
Brother Gods of Light and Darkness: Origins of the Baldr Myth, Timothy
J. Stephany uses linguistic similarities to trace the legendary roster of gods.
“The Russian god of light is Bielbog, Byelobog. The god of darkness is Tschernobog:
Chernobog.”
Chernobyl is located along Latitude
51, just east of the Sudeten Mountains, the former Reich sub-nuclear weapons
facility. Perhaps behind the veil of our
reality, Cernunnos was dancing his dance of ‘unmaking’ in 1986 as the
destroyer of the elements there.
THE ARRIVAL
Secular history, linguistics and
mythology consistently echo Biblical accounts of ancestral and tribal
migrations, and so doing, the gods and
spirit beings are to be understood as distinct presences, much like human
ancestral patterns: families with divergent branches, similar but independent
functions and personalities with subjective memory and interpretation from
communal historic events.
It is through the ancient texts,
monuments and traditions the Middle Eastern accounts that migrations are be traced and these genealogies share a remarkably
consistent conception: Mount Hermon.
“ It came to pass after the sons of
men had multiplied in those days, that daughters were born to them, elegant and
beautiful. And when the Watchers, the sons of heaven, saw them, they became
infatuated with them, saying to each other, “Come, let us choose for ourselves
wives from the offspring of men, and let us have children….
The whole number of those who
descended on what is the top of Mount Hermon, in the days of Jared, was two
hundred. 8 That mountain therefore came to be Hermon, because they had sworn
upon it, and bound themselves by mutual oaths…”
– 1 Enoch 6:1, 2, 7, 8
Michael S. Heiser,
examines many of the intriguing details and nuances coincident to Mount Hermon:
םחָרַ charam, khaw-ram’; a prim.
root; to seclude; spec. (by a ban) to devote to religious uses (espec.
destruction); phys. and refl. to be blunt as to the nose:— make accursed,
consecrate, (utterly) destroy, devote, forfeit, have a flat nose, utterly (slay,
make away).
The consonants that make up “hermon”
are (in Hebrew) ch-r-m (the final “n” is a noun ending typically suffixed to
geographic locations). The noun cherem means “devoted to destruction” (the
imagery is of a holocaust offering).
חֶרֶם cherem, kheh’-rem;
phys. (as shutting in) a net (either lit. or fig.); usually a doomed object;
abstr. extermination:— (ac-) curse (-d, -d thing), dedicated thing, things
which should have been utterly destroyed, (appointed to) utter destruction,
devoted (thing), net.
Mount Hermon was, according to 1
Enoch 6:1-6, the mountain to which the Watchers, the sons of God, descended
when they came to earth and cohabited with human women. This connection with
the incident described in Genesis 6:1-4 is consistent in view of the
connections between the terms Rephaim, Anakim, and Nephilim. … the broader
area of which Mount Hermon was part was Bashan, a place of special
cosmic-geographical significance….
…Mount Hermon was also associated
with Baal worship and evil serpentine cults. The cult center Baal-Hermon is
mentioned several times in the Old Testament (e.g., Judges 3:3; 1 Chron. 5:23).
That the Israelites and the biblical
writers considered the spirits of the dead giant warrior-kings to be demonic is
evident from the fearful aura attached to the geographical location of Bashan. As noted above, Bashan
is the region of the cities Ashtaroth and Edrei, which both the Bible and
the Ugaritic texts mention as abodes of
the Rephaim. What’s even more fascinating is that in the Ugaritic language,
this region was known not as Bashan, but Bathan—the Semitic people of Ugarit
pronounced the Hebrew “sh” as “th” in their dialect.
Why is that of interest?
Because “Bathan” is a common word across all the Semitic languages, biblical
Hebrew included, for “serpent.” The region of Bashan was known as “the place
of the serpent.” It was ground zero for the Rephaim giant clan and, spiritually
speaking, the gateway to the abode of the infernal deified Rephaim spirits.
FEE – FI – FO – FUM
The European continent was
apparently not the boundary for barbaric and ruthless overlords. Ancient Albion is the ancestral place name
for present day United Kingdom, specifically Great Britain. As early as 322
BC, Albion was associated with Great Britain. Many contemporary toponyms
descend from hereditary parentage, and Albion’s roots traverse Gaul, Germany,
the Alps, and across the landmasses of Asia Minor to Syria and Lebanon.
If future generations are indeed
revelations of a nation’s spiritual heritage, there is none in Western
civilization that more accurately reflected than Great Britain. The entire landmass of the British Isles is
infused and sealed with the talismans of preternatural rituals and hermetic
communion.
The enigma of Stonehenge is second only to the Great Pyramid
and has become the modern nest for nearly every foul spirit and dark god. The precision and mystery of the Salisbury monument and
its environs have never been fully understood and are likely to continue their
mystic pull and the standing stones, circles, earthworks, altars, healing
centers and history have drawn millions to the region to experience mystical
companionship.
Salisbury plain is host to anomalies too numerous to
mention: and the enigmas which have been scrutinized are primarily on the
surface. Around and below, the landscape and underworld is perforated with a
seething and hidden history.
The forces of which so many speak
present themselves as hypnotic voices and willing and enthusiastic generations
respond with reveling pilgrimages and rituals to the celebrated gods.
In the pastures near Dorset in the
southwest United Kingdom, ancient chalk figures provide yet another element to
the mystic conundrum of anomalies. The Cerne
Abbas Giant is a 180 ft. figure explicitly carved giant wielding a
large, knobbed club. The Rude Man or Rude Giant is most certainly a representation of Cernunnos stalking the then
forested realms of ancient Britannia.
Cernunnos was not altogether unknown
to writers and composers. J.R.R. Tolkien is believed to have used Cernunnos as
the archetype for the character, Treebeard, in the Lord of the Rings series:
“Concealed within the deepest grove
of ash and yew and holy oak, white clad pagans dance round the blazing fire.
Silver bells chime throughout the sylvan kingdom, stirred by a fairy wind. An
ovation of hymns travels the midnight breeze, whispering of ancient dreams… And
there, in splendor unveiled and radiant, the Horned God Cernunnos is enthroned.”
The Cerne Abbas Giant and his legendary
brothers, Gog and Magog, are said to have terrorized the countryside
for centuries by raiding livestock and devouring sheep and cattle before refining their tastes to humans,
of which, as the tradition continues, numbered to as many as 30 men, women and
children a day. There are accounts of as many as 40,000 of these rampaging
giants wandering throughout England’s hills.
Other chalk figures include several
white horses, the Long Man of Wilmington, as well as a roster of less
specific designs. These sites are unquestionably the most popular sites for
neo-pagan rituals and celebrations to give homage to the four Earth cycles of
the seasons and the progression of birth, life, decline and death.
While the wild-eyed image of
Francisco de Goya’s Saturn Devouring His Son, is
alarmingly grotesque, it is most likely a somewhat realistic conceptualization
of the gruesome and macabre epochs when very real giants and other equally
ghastly creatures roamed and clashed. It would be difficult to imagine having a
portrait such as this above the fireplace, and yet millions are attracted to
the ancient sites, engaging and celebrating the horror, which is now so
beautifully displayed and softened.
In a bizarre twist of festivity, each November, the
Lord Mayor of the City of London sponsors a parade featuring the two giant
statues of Gog and Magog temporarily removed from their sentry
positions outside the City’s Guild Hall.
But perhaps the most uncanny
‘monument’ in the British Isles is one, which by appearance is the most
sophisticated, but by far the most
profound.
ISIS UNVEILED
Thirty five miles northeast of
Stonehenge, at the Rutherford Appleton Laboratory at Oxfordshire, the “world’s
leading pulsed neutron and muon source” was established as an “international
community” for over 2,000 scientists in the fields of physics, geology,
engineering and chemistry.
With a facility decidedly designed
to resemble Stonehenge, the ISIS
laboratory inaugurated in 1995 and with a logo that strongly resembles
Stonehenge, is at the forefront of bio-molecular and nano-scale research and
production. In the era of cold, hard jargon and rigid differentials, the spiritual inclinations of ISIS are clear:
“ISIS is not an acronym. The name
was decided for the opening of the neutron source in 1984 by the then Prime
Minister, Margaret Thatcher. Prior to this it had been known as SNS, or
Spallation Neutron Source.
As principal goddess of ancient Egypt, ISIS was able to
bring the dead back to life.
The name was considered appropriate
for the new neutron source which inherited many components from previous
accelerators in the UK (Nimrod and
Nina) and which is located near The River Thames, known locally as The
Isis.” – Source, ISIS
A reference to The Thames River recalls
the images and perhaps the ritual of the jackal god Anubis, son of Osiris, being ferried between the twin towers of the
London Bridge for exhibition in 2007. And Isis, worshipped as the ideal mother
and wife, patron of nature and magic, the Lady of beasts and green fields, is
the feminine from which all beginnings arose, is believed to have been instrumental in the resurrection of her
husband, Osiris, restoring his body having gathered and reassembled his
parts.
In The Mysteries of Isis: Her
Worship and Magick by deTraci Regula:
“The march of the Roman Empire
took Isis into the heart of the country of Herne, and at least one Celtic
plaque appears to depict Cernunnos, who can be considered another aspect of
Herne, with the foreign Egyptian dieties.”
The Egyptian Book of the Dead
describes the many titles of Isis:
“She who gives birth to heaven and
earth,” “Mother of the Gods,” “Lady of the Green Crops,” and “Lady of the Words
of Power.”
Evidence of the early dominance of
Cernunnos/Herme is documented by the prevalence of place names perforating the
geography of Great Britain, and once again, along Latitude 51, there is an undeniably strong connection to the God
of the Hunt and his subatomic underworld: the Cerne Abbas Giant, Gog and
his brother, Magog, the White Horse of Uffington, Stonehenge and most
curiously, the particle physics research facility, ISIS.
Is the United Kingdom, and Europe as a whole, unconsciously
assembling a congregation of ancient gods, cloaked as scientific achievement
but possessing a power, an elemental power, that was recorded on tablets and in
stone and within myths and folklore, but denying the power thereof?
ANGELS AND DEMONS
For many, the acronym, CERN, and the strange world of
quantum physics was first introduced
through the prequel novel by Dan Brown, Angels and Demons, published
in 2000, prior to Brown’s pop-culture hit, The DaVinci Code. Introduced
within the novel’s “FACT” summary, is a description of, “the first particles of
antimatter.” Identical to physical matter “except that it is composed of
particles whose electric charges are opposite to those found in normal matter,”
antimatter is described as “the most powerful energy source known to man.”
Speaking of antimatter, Dan Brown
continues:
“It releases energy with 100 percent
efficiency (nuclear fission is 1.5 percent efficient). Antimatter creates no
pollution or radiation, and a droplet could power New York City for a full day.
There is however one catch…
Antimatter is highly unstable. It
ignites when it comes in contact with absolutely anything…even air. A single
gram of antimatter contains the energy of a 20-kiloton nuclear bomb-the size of
the bomb dropped on Hiroshima.
Until recently antimatter has been
created only in very small amounts (a few atoms at a time). But CERN has now
broken ground on its new Antiproton Decelerator-an advanced antimatter
production facility that promises to create antimatter in much larger quantities.”
Whether the “facts” as presented by
Mr. Brown are scientifically accurate or have been enhanced for dramatic effect
is moot. There is well recognized apprehension within the scientific community
regarding the potential physical consequences of CERN’s ambitions and
compelling expressions on the part of social ethicists for its moral prudence.
Established as a provisional council
in 1952 by 11 European governments, the Conseil Européen pour la Recherche
Nuclréaie in Geneva, Switzerland, the governing body dissolved shortly
thereafter and renamed the organization Organisation Européenne pour la
Recherche Nucléaire in 1954. The acronym CERN however, was retained and has
been attributed to the insistence of German physicist, Werner Heisenberg: “But
the acronym can still be CERN even if the name is not.”
Assuming the validity of the
Jung-Pauli causality principle, Werner Heisenberg’s request carries a
significant a level of relevance: why would Werner Heisenberg feel so strongly
about an acronym, but more importantly, why is it even recorded that he did?
Would anyone really notice anyway?
Werner Heisenberg’s association with
the openly occult SS and the Third Reich may have been limited but his
contributions to high level physics merited observation by the Allies via
Operation Alsos, curiously, alsos is Greek for grove. As an extension of the US Manhattan Project,
Alsos detained several German physicists for a brief time at Farm Hall,
England. Werner Heisenberg returned to Germany and continued his research while
actively participating in German as well as the collective European effort of
reorganization in the spheres of high energy physics research.
The Organisation Européenne pour
la Recherche Nucléaire was incubated and CERN’s efforts in the study of
sub-atomic matter became the flagship facility, science’s archetype of the
Promised Land, but in search of the Holy Grail. CERN’s website describes its
mission and machines:
“Its business is fundamental
physics, finding out what the Universe is made of and how it works. At CERN,
the world’s largest and most complex scientific instruments are used to study
the basic constituents of matter — the fundamental particles. By studying what
happens when these particles collide, physicists learn about the laws of
Nature.
The Large Hadron Collider (LHC) is a
gigantic scientific instrument near Geneva, where it spans the border between
Switzerland and France about 100 m underground. It is a particle accelerator
used by physicists to study the smallest known particles – the fundamental
building blocks of all things. It will revolutionize our understanding, from
the minuscule world deep within atoms to the vastness of the Universe.”
Science’s assertions of spiritual indifference are betrayed
from nearly every direction, and the
machines and experiments identified as “Gargantella,” “Atlas,” “Alice,”
“Totem,” and “Isolde,” are lightweight transparencies in comparison to the
conceptual realities of stated objectives. The current specifications of the
LHC are curious as well: it is seven times more powerful than any
existing particle accelerator today, Subtle, but a curious similarity to a
specific furnace described by Daniel in Babylon.
Difficulties of a more familiar
nature include difficult to dispute statistics of increased seismic and
volcanism, clusters in both of these geologic events appear to be at least
indirectly related.
In March, 2005, the Cern Courier
released a statement describing the effect that the December, 2004 Sumatran
quake and subsequent tsumani:
“During the Christmas break, the
hydrostatic level sensors (HLSs) in the ATLAS cavern revealed a new faced of
their capabilities. Installed by the CERN survey group to monitor any
deformation or movement of the structure on which the detector feet rest, these
sensors with submicrometre resolution coupled to the heavy ATLAS mechanical
infrastructure took on the function of a seismograph.
The signals recorded by the sensors
are shown in the figure, which reveals two perturbations, one on 23 December
starting at 15.45 GMT and the other on 26 December at 01.23 GMT. Seeing
these unusual readings raised the question of whether they were connected with
the earthquake off the Indonesian coast that gave rise to the devastating
tsunami.”
BACK TO GENESIS: THE GOD PARTICLE
AND LORD OF THE HUNT
A Google search of ‘CERN god
particle,’ produces a docket of thousands of res
ults from the leading
publications of the scientific resources and associations in the world. From a discipline so exceptionally
committed to objective detachment, the ambient language reveals either
arrogance or ignorance. Responding to the possibility of finding God with
the LHC, Dr. Michio Kaku responded, “This is a genesis machine. And yes, it
may even let us read the mind of God….”
Scientists, visionaries, luminaries,
poets and dreamers have rallied at the possibility of “Recreating the
conditions just after the Big Bang”. Others believe that the manipulation of
matter at a quantum level is theoretically a manipulation of time, and thus see
the LHC as a “Time Machine”. Others still, believe because of possible
unprecedented thermal release, the LHC could well become a “Time Bomb.”. There
are good scholars on both sides of all of the debates.
Simplistically, the experiment will
propel the smallest bits of matter to 99.9% the speed of light. By sending
these particles in separate directions through a massive tunnel, exploding,
releasing and observing them micro seconds before they form new particles. The
hunt for the elusive Higgs-Boson particle. The God Particle. A divine spark.
And a very masculine sounding event.
New Age author William Henry is
among those who appear to enjoy the chase:
Something incredible is going on.
Scientists on the wild edge of high energy physics at labs in Illinois and
Geneva are racing to see who will be the first to enter the ‘Burning Bush’ and
to de-cloak a fundamental, but elusive, sub atomic particle that is given
cosmic or divine proportions by its, some say absurd, moniker, the God Particle
(which particular god is unknown – let’s just pray it’s not that jealous one).
While Mr. Henry’s philosophy is
tragically irreverent, his identification of the “divine spark” and its
association with the dynamics of the Transfiguration is an extraordinary
comparison. There comes a time when even the most rigid pragmatist, the most
resistant of skeptics, and the most impartial observer must entertain the
prospect of so many themes converging in such an unusual manner.
It has been noted that the deity
Cernunnos/Herne is consistently associated with control of elemental matter and
“billions and billions of infinite smallness,” as the Dark God of the
Elements and nature. That Cernunnos/Herne is associated with a ‘hunt;’
enormous power and identified as both the Keeper of the Gates of Death and
the Guardian of the Underworld (perhaps a portal?) with an apparent
appetite for infernal human sacrifice.
Mythology also portrays
Cernunnos/Herne as being conspicuously proud of his virility and procreative
abilities as the “lusty god,” and has been directly associated with Isis, the
Egyptian feminine representative of many similar characteristics and
Cernunnos/Herne is easily traceable through linguistic, mythologic and
ancestral migratory records from Syria, Lebanon and Mount Hermon, the site of
the descent of the fallen Watchers, the progenitors of the demi-gods and giant
races, the Nephilim, Anakim and other participants in the tale of two seeds.
Biblical records of the Transfiguration seem to involve a
glimpse into another time, and that the Transfiguration accounts do record a
supernatural light and transformation…a ‘manipulation’ of sorts of time, energy
and matter, and Cernunnos is also associated with the consumption of time.
THE TRANSFIGURATION: “A SHOT ACROSS
THE COSMIC BOW”
The site of the Transfiguration is
not specifically disclosed within the Biblical text. Beyond the immediate
context however, and with an understanding of the infinitely broader
significance and purpose, it can be ascertained. And it comes as an
indisputable, unambiguous and astonishing ‘proclamation.’
From The Myth Book by Michael
S..Heiser:
Jesus, the Place of the Serpent, and
the Mountain of God
There is perhaps no more dramatic confrontation of the
powers of darkness in the gospels than the Transfiguration…
…This mountain [Hermon], then, was
identified by the biblical writers as a place that belonged exclusively to God
– and no other. That the sons of God made their pact there according to Enoch
is a strong irony, since they were violating their rightful estate and choosing
to interfere with the world of men. Jesus was staking rightful claim to this
place at the Transfiguration (essentially, bringing the glory down to that
mountain, as at Sinai years earlier). It was a shot across the cosmic bow.”
Jesus would have been hard-pressed
to find a more striking location at which to choose to reveal his glory, to show both the three disciples who he really was, and to
blaze the news to the powers of darkness that the embodied, incarnate Yahweh
was taking back what was His—starting with the cosmic mountain in the territory
of the serpent. Yahweh had long ago declared that this region was really
his property (Psalm 68:15-16 – “O mountain of God, Mount Bashan; O many-peaked
mountain, Mount Bashan! Why do you look with hatred, O many-peaked mountain, at
the mount that God desired for his abode; yea, where Yahweh will dwell
forever?”). The fulfillment of that prophecy had begun. The powers of
darkness were being evicted. Eminent domain had been declared.
At the entrance to the CERN facility
in Meyrin, Switzerland, is a gift from the Government of India.
“I have in the past shared a word of
the Lord: “As men got into this realm, the invisible would become visible and
the very things that have been hidden from the sight of man for their safety
would come into the realm of man for his destruction.” — Steven Quayle
In a recent radio dialogue presented
by author and radio host, Steve Quayle and publisher and author, Tom Horn, the
spiritual and occult aspects of the LHC, the Large Hadron Collider at CERN in
Geneva Switzerland were examined.
TH: [The] dedication to Shiva indicates there is a spiritual dynamic to
CERN and that is what is extraordinary.
[but] …even if we’re just reading
into the metaphorical, the dance of Shiva that destroys at the atomic level and
then rebuilds from this level is intriguing given that this is the religious
metaphor encoded into this statue.”
SQ: I believe they do know what they are bringing forth and they expect
Lucifer, the Lightbearer to have his entrance to the planet. These are not
people who don’t know what they’re doing: these people know exactly what they
are doing. Essentially giving him the stairway from heaven into our dimension.
THE BABYLON DECLARATION
“And the Lord said, Behold, the
people is one, and they have all one language; and this they begin to do: and
now nothing will be restrained from them, which they have imagined to do.”
Genesis 11:6
With the potential for a holocaust
of ancient and quantum proportions, exceeding the fiery furnaces of Babylon,
the altars of Molech, the infernos of Dante, the “whole sacrifices” of the
Third Reich, the atomic and the nuclear, is the All Devouring, Keeper of the
Gates of Death, Dark God of the Elements, Cernunnos preparing to assemble his
gluttonous hoards for their final and prophesied assault?
If the explanation for the presence
of dark deities and giants lies within the pages of Scripture, the antidote
must surely as well. Alan Redpath has suggested that what the book of Ephesians
provides in concept, the book of Joshua provides in practice. The same weapons
used against the giants in the land by Joshua are available for our use, and
given the spiritual climate in which we live, a refresher study might be wise.
But will CERN be the key of
Revelation 9:11?
The closing note on the “FACT” page
of Dan Brown’s is ponderous but incomplete:
“One question looms: Will this
highly volatile substance save the world, or will it be used to create the most
deadly weapon ever made.”
One could posit an “Alternative
Three” :
Is it possible that this substance, antimatter, is not
really in the control of the probing scientific intellects whose hands have
collectively constructed a hewn altar for the purpose of the scientific
deification of mankind? And is there evidence that Cernunnos has danced on the
pages of United States history? We’ll
explore that possiblity next time.
Sue Bradley
November, 2008
References cited in Parts III and
IV:
Joscelyn Godwin, 1996
Arktos: The Polar Myth in Science, Symbolism, and Nazi Survival, 1996
William Anderson and Clive Hicks
Green Man: The Archetype of Our Oneness With the Earth, 1991
Benjamin Netanyahu
Lessons from the Sudetenland
Dan Brown
Angels and Demons, 2000
Atria Books, New York, NY 10020
Alan Redpath
Victorious Christian Living, 1955
Full Text of plaque, CERN:
Ananda K. Coomaraswamy, seeing beyond the unsurpassed rhythm, beauty, power and
grace of the Nataraja, once wrote of it “It is the clearest image of the
activity of God which any art or religion can boast of.”
More recently, Fritjof Capra
explained that “Modern physics has shown that the rhythm of creation and
destruction is not only manifest in the turn of the seasons and in the birth and
death of all living creatures, but is also the very essence of inorganic
matter,” and that “For the modern physicists, then, Shiva’s dance is the
dance of subatomic matter.”
It is indeed as Capra concluded:
“Hundreds of years ago, Indian artists created visual images of dancing Shivas
in a beautiful series of bronzes. In our time, physicists have used the most
advanced technology to portray the patterns of the cosmic dance. The
metaphor of the cosmic dance thus unifies ancient mythology, religious art and
modern physics.”
All emphases, smb
